It’s Time to Stop Worshipping the Market Oriented Mindset
(rejoinder to It’s Time to Stop Worshipping the Liberal Arts)
In today’s evolving political landscape, ‘liberal arts institutions’ (which in a UK and European context we may understand as the humanities departments of our universities) must confront a hard reality: reverence for liberal education as a public good does not justify resistance to private sector greed (It’s Time to Stop Worshipping the Liberal Arts).
For too long, humanities departments have clung to the notion that being human means cultivating closeness with our shared cultural heritage. For too long, they have assumed that training future citizens to be critically engaged members of a democratic community would be recognized forever as a public good.
A particularly stubborn myth is that the humanities and liberal arts stand somehow in opposition to STEM. While this belief often undergirds successful calls to defund humanities education, it is hopelessly muddled. To begin with, the ‘M’ in STEM, mathematics, is itself a hallowed member of the liberal arts. Geometry was a must for the ancient Greek philosopher Plato when processing admissions to his academy, and both geometry and arithmetic have been core members of the seven traditional liberal arts since at least the fifth century AD. Far from being a natural law of the universe, the belief in a sharp divide between ‘liberal arts’ and ‘hard sciences’ arguably has a much less impressive pedigree. It dates to the infamous “Two Cultures” debate instigated by the forgotten novelist C. P. Snow in a lecture of that name which he gave in 1959. In it, he painted a picture of a community of navel-gazing literary scholars who looked down on the technical sciences. This picture was derived from Snow’s own unpleasant (but sadly not uncommon) experience of being snubbed by Oxbridge dons, a highly exclusive group representative of little outside of their own bubble. Snow contrasted their elitist culture with the supposedly more enlightened one of contemporary industrial science (the very same science, let it be noted, which 7 years prior had tested the first hydrogen bomb). The present letter thus gently suggests that we finally let go of the dichotomy between arts and sciences, rooted as it is in the deeply limited and rather sad culture wars of the 1950s.
Critics of a supposed (and untrue) economic exceptionalism enjoyed by liberal arts institutions often also attack the humanities for claiming a monopoly on critical thinking. Yet, once again, this is not so. Of course the natural sciences cultivate critical attitudes. Without a searching, questioning attitude towards the mysteries of the material universe there would have been no Galileo, no Newton, no Darwin, no Einstein. If the humanities claim anything at all, it is far humbler, though perhaps also closer to home: the responsibility to cultivate critical attitudes towards the phenomena of our social world (smaller by far than the kingdom of nature). Thus if there is a meaningful divide between the humanities on the one hand and the natural and technical sciences on the other, it is limited to their methods and focus: source criticism of human-made artefacts in the humanities, and the empirical analysis of natural phenomena in the sciences. And of course, as soon as we recall that humans and their works are indeed always already part of nature, even this flimsy division is threatened. In short, the humanities and the sciences are two horns on a single goat named Critical Thinking.
Ironically, a recent attack on the monopolization of “critical thinking” by the humanities (see linked article above) is itself a shining example of the deep need for critical awareness when writing and reading. At just a cursory glance, that letter contains numerous and rather serious faults of argumentation, including false dichotomies (liberal arts vs. STEM, but also social values vs. market forces) and a host of straw men (the myth of the liberal arts’ monopoly on critical thinking, the myth of a noble and economically insulated humanities, etc.). The letter’s thesis statement manage to combine a false dichotomy, a straw man, hyperbole, and a non sequitur all into the space of just over twenty words: “While liberal arts institutions do have intrinsic value, that doesn’t mean they are entitled to be socially favoured or economically exceptional for ever.” The two topics in the two clauses are not logically related, and in any case, surely intrinsic value would indeed justify some sort of protection? This is not nitpicking; it is diagnostic of a fundamental state of confusion deep in the heart of thought and speech.
The letter this essay responds to called on us to stop worshipping the liberal arts, yet all it offers in their place is the worship of big business, the further cultivation of a “market-oriented mindset”. Rather than worry our heads about what the academic humanities do or don’t do, we should all beware lazy conformism to a market-oriented mindset. Calls to be businesslike may sound like common sense, but mask a greedy desire to lay the institutions which structure our society open to strip-mining by private interests. As long as our only conception of profit is monetary, as long as we continue to equate the success of the stock market with our success as society, and as long as we persist in a fantasy vision of a “real world” limited to the tiny world of finance, we will forever be trapped in a spiraling surrender of values, rights and duties to the altar of “market needs”. As a late liberal artist, David Foster Wallace, once said, in the day-to-day trenches of adult life there is no such thing as not worshipping: the only choice we get, is what to worship. Liberty and art – or “market needs”? The choice is ours.